Cat No: 0735719

This long-awaited album brings together 17 tracks from Enos most recognisable film and television work spanning 5 decades.

Enos music has been used in hundreds of films and he has composed more than 20 soundtracks for some of the best known directors in the world including David Lynch, Danny Boyle, Peter Jackson, Michelangelo Antonioni, Derek Jarman and Michael Mann.

Compositions such as Ship in a Bottle in The Lovely Bones, Prophecy Theme from Dune, Deep Blue Day in Trainspotting, Late Evening in Jersey in Heat, Beach Sequence in Antonionis last film Beyond The Clouds and An Ending (Ascent) from Al Reinerts ground-breaking For All Mankind have contributed significantly to memorably iconic scenes.

Eno has also scored extensively for television, including all 3 series of the gritty UK crime drama, Top Boy for which he received a Bafta, and Danny Boyles Mr Wroes Virgins which earned him and his brother Roger a Bafta nomination.

This release features over an hour of classic Eno compositions and includes several previously unreleased tracks.

Side A

Top Boy (Theme) from Top Boy – Series 1, directed by Yann Demange, 2011

Ship In A Bottle from The Lovely Bones, directed by Peter Jackson, 2009

Blood Red from Francis Bacons Arena, directed by Adam Low, 2005

Under from Cool World, directed by Ralph Bakshi, 1992

Decline And Fall from O Nome da Morte, directed by Henrique Goldman, 2017

Side B

Prophecy Theme from Dune, directed by David Lynch, 1984

Reasonable Question from We Are As Gods, directed by David Alvarado / Jason Sussberg, 2020

Late Evening In Jersey from Heat, directed by Michael Mann, 1995

Beach Sequence from Beyond The Clouds, directed by Michelangelo Antonioni, 1995

Side C

You Dont Miss Your Water from Married to the Mob, directed by Jonathan Demme, 1988

Deep Blue Day from Trainspotting, directed by Danny Boyle, 1996

‘The Sombre from Top Boy – Series 2, directed by Jonathan van Tulleken, 2013

Dover Beach from Jubilee, directed by Derek Jarman, 1978

Side D

Design as Reduction from Rams, directed by Gary Hustwit, 2018

Undersea Steps from Hammerhead, directed by George Chan, 2004

Final Sunset from Sebastiane, directed by Derek Jarman, 1976

An Ending (Ascent), from For All Mankind, directed by Al Reinert, 1989

Film Music 1976 – 2020

From £12.99

Cat No: 0735719

Side A

‘Top Boy (Theme)’ from ‘Top Boy’ - Series 1, directed by Yann Demange, 2011

‘Ship In A Bottle’ from ‘The Lovely Bones’, directed by Peter Jackson, 2009

‘Blood Red’ from ‘Francis Bacon’s Arena’, directed by Adam Low, 2005

‘Under’ from ‘Cool World’, directed by Ralph Bakshi, 1992

‘Decline And Fall’ from ‘O Nome da Morte’, directed by Henrique Goldman, 2017

Side B

‘Prophecy Theme’ from ‘Dune’, directed by David Lynch, 1984

‘Reasonable Question’ from ‘We Are As Gods’, directed by David Alvarado / Jason Sussberg, 2020

‘Late Evening In Jersey’ from ‘Heat’, directed by Michael Mann, 1995

‘Beach Sequence’ from ‘Beyond The Clouds’, directed by Michelangelo Antonioni, 1995

Side C

‘You Don’t Miss Your Water’ from ‘Married to the Mob’, directed by Jonathan Demme, 1988

‘Deep Blue Day’ from ‘Trainspotting’, directed by Danny Boyle, 1996

'The Sombre’ from ‘Top Boy’ - Series 2, directed by Jonathan van Tulleken, 2013

‘Dover Beach’ from ‘Jubilee’, directed by Derek Jarman, 1978

Side D

‘Design as Reduction’ from ‘Rams’, directed by Gary Hustwit, 2018

‘Undersea Steps’ from ‘Hammerhead’, directed by George Chan, 2004

‘Final Sunset’ from ‘Sebastiane’, directed by Derek Jarman, 1976

‘An Ending (Ascent)’, from ‘For All Mankind’, directed by Al Reinert, 1989

Cat No: 0735738

‘Top Boy (Theme)’ from ‘Top Boy’ - Series 1, directed by Yann Demange, 2011

‘Ship In A Bottle’ from ‘The Lovely Bones’, directed by Peter Jackson, 2009

‘Blood Red’ from ‘Francis Bacon’s Arena’, directed by Adam Low, 2005

‘Under’ from ‘Cool World’, directed by Ralph Bakshi, 1992

‘Decline And Fall’ from ‘O Nome da Morte’, directed by Henrique Goldman, 2017

‘Prophecy Theme’ from ‘Dune’, directed by David Lynch, 1984

‘Reasonable Question’ from ‘We Are As Gods’, directed by David Alvarado / Jason Sussberg, 2020

‘Late Evening In Jersey’ from ‘Heat’, directed by Michael Mann, 1995

‘Beach Sequence’ from ‘Beyond The Clouds’, directed by Michelangelo Antonioni, 1995

‘You Don’t Miss Your Water’ from ‘Married to the Mob’, directed by Jonathan Demme, 1988

‘Deep Blue Day’ from ‘Trainspotting’, directed by Danny Boyle, 1996

‘The Sombre’ from ‘Top Boy’ - Series 2, directed by Jonathan van Tulleken, 2013

‘Dover Beach’ from ‘Jubilee’, directed by Derek Jarman, 1978

‘Design as Reduction’ from ‘Rams’, directed by Gary Hustwit, 2018

‘Undersea Steps’ from ‘Hammerhead’, directed by George Chan, 2004

‘Final Sunset’ from ‘Sebastiane’, directed by Derek Jarman, 1976

‘An Ending (Ascent)’, from ‘For All Mankind’, directed by Al Reinert, 1989

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Genre:Electronic Record Label:Universal Release Date:03/05/2026
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