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Cat No: BELLA1219CD

Bella Union are thrilled to announce the release of Piroshkas stunning second album, Love Drips And Gathers, out 23rd July. The album builds on the acclaim of the bands 2018 debut LP Brickbat and the reputations of former members of Lush, Moose, Elastica and Modern English.

Piroshka emerged in 2018, four individuals with distinct musical identities but also overlapping histories – a combination that might have unsettled, or even overwhelmed, some bands. But in their case, the bond only got stronger. After Brickbat explored social and political divisions by way of what MOJO described as Forceful, driving garage songs and dream-pop epics, Love Drips And Gathers follows a more introspective line – the ties that bind us, as lovers, parents, children, friends to a suitably subtler, more ethereal sound, whilst still revelling in energy and drama.

If Brickbat was our Britpop album, then Love Drips And Gathers is shoegaze! reckons vocalist/guitarist Miki Berenyi, formerly of Lush, a band that effortlessly bridged the two genres like no other. It wasnt intentional; we just wanted a different focus. Ive always seen debut albums as capturing a bands first moments, when you really have momentum, and then the second album is the chance for a more thoughtful approach.

Bassist Mick Conroy (Modern English) agrees. Brickbat was a classic first album; noisy and raucous. On Love Drips And Gathers, weve calmed down and explored sounds, and space.

To recap; before Miki and KJ Moose McKillop were a couple (and parents), they were pivotal figures on the London-centric 90s indie scene. Likewise, Elastica, whose drummer Justin Welch was part of Lushs 2017 reunion, whilst Mick had played for both Moose and on their last ever gig – Lush.

As Lush Mark II came to an end, Justin persuaded Miki (whod abandoned music when Lush first split in 1997) to start another band, Piroshka, which in turn reignited Mooses own long-dormant ambitions. Whilst Justin and Miki were the dominant influence on Brickbat, this time Moose and Mick were given greater control over the production, with invaluable assistance from Bella Unions in-house engineer Iggy.

The way Love Drips And Gathers changes shape and dynamic is less a reprise of nineties Brit indie than a transformation into a more shivery, Euro-mantic version with glistening electronic filigrees. The opening Hastings sets the tone. Luminous drops of guitar underpin Mikis becalmed vocal before drums, bass and a Mellotron add pace while the decorative coda features their old pal Terry Edwards on flugelhorn.

Framed by Mellotron, cello and piano. The Knife-Throwers Daughter emphatically proves Piroshka can be restrained without losing any essence of drama: the calm before the euphoria pure-pop storm of Scratching At The Lid. The words ethereal and shimmering were surely invented for the likes of Loveable, but the uncanny DNA of V.O. is less categorisable a Bond theme in the making with electro-gliding beats, perhaps? Wanderlust and Echoloco might be described as Francophile cousins of Lush before the haunting lullaby of Familiar segues into the pulsing, rippling instrumental finale We Told You – more eighties synth drama than nineties indie, with vocal samples played on what Moose calls, the Miki-tron.

Love Drips And Gathers – named after a line in a Dylan Thomas poem – was inspired by love, family, belonging, memory. Miki and Moose split the eight lyrics, with some poignant overlaps here too. Mikis Loveable looks to Moose; Mooses The Knife-Throwers Daughter looks to Miki, but also their daughter Stella and his sister Anna; an empathic, touching embrace of the women in his life.

Staying within the family, Moose eulogises his late mother (the idyllic childhood seaside trip of Hastings 1973) and father (the more conflicted Scratching At The Lid). On V.O., Miki pays fond tribute to Vaughan Oliver, 4ADs legendary in-house art director who died suddenly in December 2019, and who had a particularly close relationship with Lush during their time on the label (like Brickbat, Love Drips And Gathers beautiful and enigmatic artwork is by Vaughans former design partner Chris Bigg).

Love Drips And Gathers nine tracks will each have its own video (all to be made by Connor Kingsley), with a continuing thread that will eventually create one story. Piroshkas own story is rooted in family both those youre born with, and those (friends) you choose.

Love Drips & Gathers

From £9.99

Cat No: BELLA1219V

Bella Union are thrilled to announce the release of Piroshka’s stunning second album, Love Drips And Gathers, out 23rd July. The album builds on the acclaim of the band’s 2018 debut LP “Brickbat” and the reputations of former members of Lush, Moose, Elastica and Modern English.

Piroshka emerged in 2018, four individuals with distinct musical identities but also overlapping histories - a combination that might have unsettled, or even overwhelmed, some bands. But in their case, the bond only got stronger. After “Brickbat” explored social and political divisions by way of what MOJO described as “Forceful, driving garage songs and dream-pop epics”, Love Drips And Gathers follows a more introspective line - the ties that bind us, as lovers, parents, children, friends – to a suitably subtler, more ethereal sound, whilst still revelling in energy and drama.

“If Brickbat was our Britpop album, then Love Drips And Gathers is shoegaze!” reckons vocalist/guitarist Miki Berenyi, formerly of Lush, a band that effortlessly bridged the two genres like no other. “It wasn’t intentional; we just wanted a different focus. I’ve always seen debut albums as capturing a band’s first moments, when you really have momentum, and then the second album is the chance for a more thoughtful approach.”

Bassist Mick Conroy (Modern English) agrees. “Brickbat was a classic first album; noisy and raucous. On Love Drips And Gathers, we’ve calmed down and explored sounds, and space.”

To recap; before Miki and KJ ‘Moose’ McKillop were a couple (and parents), they were pivotal figures on the London-centric 90s indie scene. Likewise, Elastica, whose drummer Justin Welch was part of Lush’s 2017 reunion, whilst Mick had played for both Moose and – on their last ever gig - Lush.

As Lush Mark II came to an end, Justin persuaded Miki (who’d abandoned music when Lush first split in 1997) to start another band, Piroshka, which in turn reignited Moose’s own long-dormant ambitions. Whilst Justin and Miki were the dominant influence on Brickbat, this time Moose and Mick were given greater control over the production, with invaluable assistance from Bella Union’s in-house engineer Iggy.

The way Love Drips And Gathers changes shape and dynamic is less a reprise of nineties Brit indie than a transformation into a more shivery, Euro-mantic version with glistening electronic filigrees. The opening ‘Hastings’ sets the tone. Luminous drops of guitar underpin Miki’s becalmed vocal before drums, bass and a Mellotron add pace while the decorative coda features their old pal Terry Edwards on flugelhorn.

Framed by Mellotron, cello and piano. ‘The Knife-Thrower’s Daughter’ emphatically proves Piroshka can be restrained without losing any essence of drama: the calm before the euphoria pure-pop storm of ‘Scratching At The Lid’. The words ‘ethereal’ and ‘shimmering’ were surely invented for the likes of ‘Loveable’, but the uncanny DNA of ‘V.O.’ is less categorisable – a Bond theme in the making with electro-gliding beats, perhaps? ‘Wanderlust’ and ‘Echoloco’ might be described as Francophile cousins of Lush before the haunting lullaby of ‘Familiar’ segues into the pulsing, rippling instrumental finale ‘We Told You’ - more eighties synth drama than nineties indie, with vocal samples played on what Moose calls, “the Miki-tron.”

Love Drips And Gathers - named after a line in a Dylan Thomas poem - was inspired by love, family, belonging, memory. Miki and Moose split the eight lyrics, with some poignant overlaps here too. Miki’s ‘Loveable’ looks to Moose; Moose’s ‘The Knife-Thrower’s Daughter’ looks to Miki, but also their daughter Stella and his sister Anna; an empathic, touching embrace of the women in his life.

Staying within the family, Moose eulogises his late mother (the idyllic childhood seaside trip of ‘Hastings 1973’) and father (the more conflicted ‘Scratching At The Lid’). On ‘V.O.’, Miki pays fond tribute to Vaughan Oliver, 4AD’s legendary in-house art director who died suddenly in December 2019, and who had a particularly close relationship with Lush during their time on the label (like Brickbat, Love Drips And Gathers’ beautiful and enigmatic artwork is by Vaughan’s former design partner Chris Bigg).

Love Drips And Gathers’ nine tracks will each have its own video (all to be made by Connor Kingsley), with a continuing thread that will eventually create one story. Piroshka’s own story is rooted in family – both those you’re born with, and those (friends) you choose.

Cat No: BELLA1219CD

Bella Union are thrilled to announce the release of Piroshka’s stunning second album, Love Drips And Gathers, out 23rd July. The album builds on the acclaim of the band’s 2018 debut LP “Brickbat” and the reputations of former members of Lush, Moose, Elastica and Modern English.

Piroshka emerged in 2018, four individuals with distinct musical identities but also overlapping histories - a combination that might have unsettled, or even overwhelmed, some bands. But in their case, the bond only got stronger. After “Brickbat” explored social and political divisions by way of what MOJO described as “Forceful, driving garage songs and dream-pop epics”, Love Drips And Gathers follows a more introspective line - the ties that bind us, as lovers, parents, children, friends – to a suitably subtler, more ethereal sound, whilst still revelling in energy and drama.

“If Brickbat was our Britpop album, then Love Drips And Gathers is shoegaze!” reckons vocalist/guitarist Miki Berenyi, formerly of Lush, a band that effortlessly bridged the two genres like no other. “It wasn’t intentional; we just wanted a different focus. I’ve always seen debut albums as capturing a band’s first moments, when you really have momentum, and then the second album is the chance for a more thoughtful approach.”

Bassist Mick Conroy (Modern English) agrees. “Brickbat was a classic first album; noisy and raucous. On Love Drips And Gathers, we’ve calmed down and explored sounds, and space.”

To recap; before Miki and KJ ‘Moose’ McKillop were a couple (and parents), they were pivotal figures on the London-centric 90s indie scene. Likewise, Elastica, whose drummer Justin Welch was part of Lush’s 2017 reunion, whilst Mick had played for both Moose and – on their last ever gig - Lush.

As Lush Mark II came to an end, Justin persuaded Miki (who’d abandoned music when Lush first split in 1997) to start another band, Piroshka, which in turn reignited Moose’s own long-dormant ambitions. Whilst Justin and Miki were the dominant influence on Brickbat, this time Moose and Mick were given greater control over the production, with invaluable assistance from Bella Union’s in-house engineer Iggy.

The way Love Drips And Gathers changes shape and dynamic is less a reprise of nineties Brit indie than a transformation into a more shivery, Euro-mantic version with glistening electronic filigrees. The opening ‘Hastings’ sets the tone. Luminous drops of guitar underpin Miki’s becalmed vocal before drums, bass and a Mellotron add pace while the decorative coda features their old pal Terry Edwards on flugelhorn.

Framed by Mellotron, cello and piano. ‘The Knife-Thrower’s Daughter’ emphatically proves Piroshka can be restrained without losing any essence of drama: the calm before the euphoria pure-pop storm of ‘Scratching At The Lid’. The words ‘ethereal’ and ‘shimmering’ were surely invented for the likes of ‘Loveable’, but the uncanny DNA of ‘V.O.’ is less categorisable – a Bond theme in the making with electro-gliding beats, perhaps? ‘Wanderlust’ and ‘Echoloco’ might be described as Francophile cousins of Lush before the haunting lullaby of ‘Familiar’ segues into the pulsing, rippling instrumental finale ‘We Told You’ - more eighties synth drama than nineties indie, with vocal samples played on what Moose calls, “the Miki-tron.”

Love Drips And Gathers - named after a line in a Dylan Thomas poem - was inspired by love, family, belonging, memory. Miki and Moose split the eight lyrics, with some poignant overlaps here too. Miki’s ‘Loveable’ looks to Moose; Moose’s ‘The Knife-Thrower’s Daughter’ looks to Miki, but also their daughter Stella and his sister Anna; an empathic, touching embrace of the women in his life.

Staying within the family, Moose eulogises his late mother (the idyllic childhood seaside trip of ‘Hastings 1973’) and father (the more conflicted ‘Scratching At The Lid’). On ‘V.O.’, Miki pays fond tribute to Vaughan Oliver, 4AD’s legendary in-house art director who died suddenly in December 2019, and who had a particularly close relationship with Lush during their time on the label (like Brickbat, Love Drips And Gathers’ beautiful and enigmatic artwork is by Vaughan’s former design partner Chris Bigg).

Love Drips And Gathers’ nine tracks will each have its own video (all to be made by Connor Kingsley), with a continuing thread that will eventually create one story. Piroshka’s own story is rooted in family – both those you’re born with, and those (friends) you choose.

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Genre:Indie Rock Record Label:Bella Union Release Date:23/07/2021
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